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Friday, May 16, 2025

Sapphest seeks short plays

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Deadline: May 25, 2025 at 11:59 PM ET
or once they have reached 200 submissions 

SUBMISSION FORM

Sapphest is NYC's premier sapphic playwriting competition and play festival. The next installment of Sapphest will take place on 7/19/25 and 7/20/25 at Brooklyn Art Haus.

Eligibility:
Submissions are open to playwrights who:
Are 18 years of age or older
Live anywhere in the world
Identify as Sapphic*

*In our context, we use “Sapphic” as an inclusive term for those who identify as women, nonbinary, trans, two-spirit, genderqueer, or agender and who experience love or attraction for others within these communities. Sapphics may identify as queer, bisexual, pansexual, asexual, aromantic, lesbian, or use another term that resonates.

Submission guidelines:
Please write an 8–10 minute piece inspired by a sapphic song (think Good Luck, Babe, Honey, Lunch, Slumber Party, Where Does the Good Go, Her Body is Bible, Lipstick Lover, Fast Car, etc.). The play should have no more than four actors (you may include more than four characters, but they must be played by a maximum of four actors).

The audience will guess which song inspired each play. Please note: the play should not be a direct retelling of the song, but rather inspired by the title or lyrics. Each playwright/writing team may submit one play per submission cycle.

Plays will be selected by a committee of queer judges. All plays will be read blind. The other questions in the form will help us get to know you as an artist and understand who we are reaching, but will not be shared with the readers. Selected playwrights will be notified by the end of June and will receive a ticket-split stipend after the festival has completed.

Submissions close May 25th at 11:59 PM ET, or once we reach 200 submissions — whichever comes first. Please submit early!

Helpful reminders/tips:

Make sure the title of your play is not the same as the title of the song that inspired it.
Remove your name and any identifying information from the play and title of the document before submitting - (submissions that include identifying details may not be considered)
Your play must not exceed 11 pages, 12pt font, standard margins.
Only one submission per playwright or writing team.

If you have any questions, email us at sapphestnyc@gmail.com.

Eliza Moore Fellowship for Artistic Excellence 2025

Website

Deadline: May 31, 2025

SUBMIT VIA SUBMITTABLE

The Eliza Moore Fellowship for Artistic Excellence is awarded annually to one outstanding, early-career artist who is developing new works that address plants, gardens, or landscapes in the broad sense. This award is open to visual artists, literary artists, dancers, and musicians. The award includes a $10,000 individual grant and requires a 2 - 5 week stay at Oak Spring. While at OSGF, the Fellow will be able to meet with staff, explore our 700-acre landscape and our efforts in sustainable land management, and visit our rare book library that holds over 19,000 objects, including many examples of botanical art.

OSGF intends to award the Fellowship to an exceptional artist whose works show remarkable promise to contribute to a deeper understanding of the natural world, and humankind’s place in it. The Fellow will be scheduled to visit when there are other Interdisciplinary Residents or Fellows on-site. This scheduling will allow the Fellow to join in communal meals, and optional activities and field trips with other artists, ecologists, researchers, or scholars working on projects related to OSGF’s mission. Beyond time devoted to their projects, a Fellow’s typical day at Oak Spring might include a walk to enjoy the landscape or birds; an appointment to visit the Oak Spring Library; and/or a morning spent volunteering at the BCCF or in the formal garden. These optional activities provide Fellows time to learn from, and interact with our staff. None of these activities are required, and we understand that some Fellows might want to spend most of their time in their writing or working independently. We support and enable Fellows to use their time as they best see fit.

At the culmination of their stay, we encourage, but don’t require, Fellows to give a 20 – 30 minute presentation with time for questions, to Oak Spring staff and any other Fellows, Residents, or program participants who might be on site.
Application Process

The application portal will open on February 14, 2025 and close on May 31st, 2025. Please note that there is one application for all of our 2026 Residency and Fellowship programs, and you will be prompted to select which programs you would like to be considered for. You will be asked to submit:

a resume/curriculum vitae (not to exceed two pages),

a 200 - 300-word statement on your artistic practice,

a statement of 200 - 300 words stating how your work relates to Oak Spring Garden Foundation’s mission to “perpetuate and share the gifts of Rachel (“Bunny”) Lambert Mellon, including her residence, garden, estate and the Oak Spring Garden Library, to serve the public interest. OSGF is dedicated to inspiring and facilitating scholarship and public dialogue on the history and future of plants, including the culture of gardens and landscapes and the importance of plants for human well-being,”

work samples

For poets and playwrights: you may submit 7 - 10 pages total. Poetry may be spaced as needed, and scripts should follow standard script formatting. 

NOTE: When applying to this Fellowship, you will be asked if you are interested in being considered for one of our other residencies, if you are not selected for the Fellowship. To learn more about our residencies, visit www.osgf.org/residencies.

Eligibility

Eligible applicants must be early-career artists not enrolled in an undergraduate degree program in 2026. We will consider individuals with a proven track-record of professionalism, but who are yet under-recognized, as early-career. Eligible early-career applicants will have some recognition in the form of exhibitions, commissions, performances, grant awards, residencies, Fellowships and/or publications.

Individuals who have participated in an extensive number of solo exhibitions, or who have published a significant number of books will be considered established or late career, and are not eligible for the Eliza Moore Fellowship. We encourage those who are not eligible for this Fellowship to apply to the Interdisciplinary Residency.

The successful Fellow must be self-directed and able to work independently while on site. Applicants are expected to show dedication to their artistic practice, clear connection to the natural world in their work, exceptional promise, and good communication skills.
Dates

Fellows should arrive on the same start date of an Interdisciplinary Residency, or Botanical Artist Residency, and the Fellow will complete their introductory tours with other Residents. In 2026, these dates are:

Monday, March 2, 2026

Sunday, April 14 (up to 3-week stay only)

Monday, June 1

Monday, July 13

Sunday, August 13 (up to 3-week stay only)

Monday, September 21

Award

The $10,000 individual grant associated with this award can be put towards travel to and from OSGF, materials and supplies purchased for their residency, and other items that will support their work, before or after their stay at OSGF.

The selected Fellow should make travel arrangements to Dulles International Airport, where Oak Spring will arrange ground transportation for them to our estate in Upperville, VA. The Fellow will be housed in nicely appointed shared accommodations. The Fellow will have a private bedroom and bathroom, and share a living room and kitchen with 1 – 3 other Residents or Fellows.

Thursday, May 15, 2025

Nomad Theatre seeks short plays for Order in the Court

Website

Deadline: June 16, 2025

SUBMISSION FORM

Nomad Theatre seeks 6-10 short plays to be a part of our upcoming show, Order in the Court in September 2025 in Normal, IL. Submissions will open on May 12th and close on June 16th, 2025. Nomadtheatre.org

Experience the drama and intrigue of the courtroom like never before with "Order in the Court," a selection of original plays specifically crafted to be performed in the McLean County Courthouse. We hope to delve into themes of justice, morality, and the human condition, set against the authentic backdrop of a courtroom, immersing the audience in the tension and intensity of legal battles.

Selected plays must take place in a courtroom. We encourage you to use the space creatively. They must be unpublished and unproduced at the time of submission.

Mclean County courthouse is a historical landmark housed in the Mclean County Museum of History, and many historical court cases have taken place here. We encourage you to be inspired by local Mclean County History cases, or include themes that showcase at the Museum of History and themes surrounding America 250, such as Unfinished Revolutions; Power of Place; We the People; American Experiment; Doing History: 250th Anniversary – AASLH

You can also browse the exhibits at the museum for inspiration: Digital Exhibits

A picture of the space has been included for your reference. PLEASE NOTE: the jury box will house audience members - so plays can only include one or two actors that sit in the jury box.

This call is open to all playwrights in the United States. Selected playwrights receive a $25 honorarium, full production of their show and a ticket to attend. We encourage anyone to submit, even if you’ve never written a play. We want to support underrepresented playwrights, including women, LGBTQIA+, BIPOC, disabled, neurodiverse, etc, and encourage you to submit.

Entries will be judged on the following criteria:

· How well it meets the theme of ‘Order in the Court’

· Overall writing quality (Plot - we like different or quirky, weird, out-of-the-box theatre; Character Development; Dialogue)

· Suitability for our actors and space - low tech, 1-4 characters, flexible casting

Submissions will open on May 12th and close on June 16th, 2025. Selected playwrights will receive notification by August 25, 2025. If you have not received notification from us by that date, we did not choose you for the production.

Submission Guidelines:

· One submission per playwright

· a running time of 10-12 minutes long

· A cover page should include the title, the playwright’s name, contact information, a brief synopsis, and character descriptions.

· Pages should be numbered.

· Minimum of 1, maximum of 4 characters

· Label your document as TitleOfPlay_LastName

· Must take place in a courtroom.

· No musicals.

We suggest formatting similar to the Dramatist Guild Guidelines: https://www.dramatistsguild.com/sites/default/files/2020-01/General-SFI-Formatting-Guidelines-Complete.pdf

If you have questions or need any accommodations for submission, please email nomadtheatresubmissions@gmail.com

Nomad's mission is to provide an immersive theatre experience by exposing audience members to eclectic and moving stories, taking theatre outside of a traditional theatre space and into site-specific locations.

If you have questions or need any accommodations for submission, please email Nomad Theatre at nomadtheatresubmissions@gmail.com

Community Players Theater - Page to Stage 2025

Website

Deadline: July 31, 2025
Please note new deadline
Deadline: August 31, 2025

Page to Stage: An Original Staged Reading is an opportunity for playwrights to submit their work to be performed through Community Players Theatre (Bloomington IL.) To those wishing to submit their work, please make sure it follows this criteria:
  • The script must be unpublished
  • It is fine if the script has gone through workshops or readings
  • No more than 2 locations within the script
  • Cast size 2-6
  • Can feature a child but the majority of the cast must be adults
  • Few adjustments will be allowed once the script has been submitted
  • PDF or Word Doc formatting
  • No musicals
  • A playwright is not limited on how many they can submit
  • This process is for the benefit of audiences to hear new plays and new playwrights
Scripts are due by August 31st, 2025. Please submit all scripts to Ashleigh Rae-Lynn (playreading@communityplayers.org)

Wednesday, May 14, 2025

Screaming Media & Gi60 International seek submissions for Gi60 NYC

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Deadline: June 1, 2025
  • Submissions must not last longer than 60 seconds
  • Your submission needs your name, play title, geographic location, and contact information in the document as well as filled out in this form
  • You may submit as many one minute plays as you wish, but only one submission per form entry
  • All work must be totally original and the author's own work
  • Plays should not have been previously produced
  • Please do not submit plays that have been submitted to Gi60 prior to 2025 for consideration
  • Entries from schools should include a teacher's contact and the school name, as well as that of the author
  • For consideration in Gi60 NYC, plays must be submitted by June 1, 2025
TERMS AND CONDITIONS:
  • There is no submission fee, prize or payment for Gi60 participation
  • Copyright remains with the author
  • Plays lasting longer than 60 seconds may not be considered
  • The organizers may use individual plays to promote the Gi60 festival
  • Final play selection will be announced on the Gi60 city websites and social media
  • Gi60 NYC is staffed and created by professionals who are volunteers and give their time free of charge
  • The organizers reserve the right to cut scripts without notification where necessary. (E.g. if a play is running significantly longer than 60 seconds, we may delete some small lines if their intention is communicated elsewhere in the script)
  • Gi60 festivals may be recorded and made available for viewing on the Gi60 YouTube Channel. To view past plays: Gi60 Channel YouTube
Gi60 is a Screaming Media Production (c) 2004

PLEASE NOTE: We annually receive between 700-900 submissions. Due to the high volume of plays we receive each year we are unable to write to individual playwrights to notify them if their play has not been selected.

Gi60 NYC | The International One Minute Theatre Festival
theatre in a New York minute
gi60nyc@gmail.com
Instagram | Facebook

46 Minute Mixed Bag variety show

Website
Instagram

Deadline: May 19, 2025

Submit your in-development short piece (~10-15 min) on this short google form.

If you have any questions, please email us at 46mincollective@gmail.com

Seeking 10 minutes, specifically in-development for a low-tech staged performance of “in-progress” to inspire further development for the artist 

Must be able to make it to the performance - (Thursday, July 24, 2025, at The Brick Aux in Brooklyn, NY) 

Yes, a playwright can submit more than one play 

Playwrights and other artists can submit whatever they’d like; however, Mixed Bag is meant to be a low-tech//low-stakes opportunity specifically for in-development new works 
Submitter will be notified of their submission status TBD 

The playwright must self-cast and self-produce their rehearsals. This event is meant to provide artists of all media a stage to present new works in progress to audiences in a low-tech space

Mixed Bag is a variety show for first drafts. We provide artists with a low-tech space and audiences to further develop their early works. We hope this will be a space to learn about your piece and discover the next steps in your process. If you are an artist in any medium with new work you want to test out, apply using the form below! We look forward to seeing what you have been working on!

The 46 Minutes Collective is a non-hierarchical performance collective founded by artists committed to nurturing and producing boldly original, interdisciplinary time-based work. We aim to bolster emerging artists in their pursuit to push the limits of form, challenge the purity of medium, and foster collaborative processes. Our works exist in the in-between and the surreal; they tap on the fourth wall in a quest to make art that is accessible and creatively adventurous. Learn more about us on our website or follow us on Instagram @46mincollective.

Tuesday, May 13, 2025

11th Annual Pyro PlayFest 2026 Call for Plays Theme: "Spark of Creation: Humanity, Invention, and Expression"

Facebook page

Deadline: January 12, 2026

 SUBMISSION FORM

Paris Junior College Department of Drama's 11th Annual Pyro PlayFest is now accepting submissions!

In a season celebrating new voices, we are looking for bold, original short plays that explore the heart of creativity — the human spirit, invention, imagination, and the drive to express. Whether you tackle these ideas literally, abstractly, or metaphorically, we want to experience the spark that fuels your storytelling!

The chosen submissions will receive a full production on our 3/4 thrust stage space performed by students and community members in late April 2026, right here in Paris, Texas, on the Duane Allen Stage in the Ray E. Karrer Theater.

Please note: This is a non-paying opportunity. While we are unable to offer financial compensation at this time, selected playwrights will have the opportunity to have their work brought to life in front of a live audience by a dedicated team of emerging artists and community members.

Submission Guidelines
  • Unpublished, minimally produced plays (readings okay; no full productions).
  • Length: 10 minutes or less.
  • Page Limit: 10 pages max (standard format, 12-pt font, with page numbers).
  • Cast: No more than 6 characters.
  • Technical Requirements: Keep it simple — minimal sets, basic lighting, and modest props.
  • Theme Connection: Must explore creation, humanity, invention, or expression in some form.
Content Note: Please keep language and themes suitable for a general adult audience.

Important Dates:
• Submission Deadline: January 12, 2026
• Festival Dates: April 22-26, 2026

How to Submit:
Please submit your scripts (Up to three) in PDF format through this Google Form: New Works Submissions

Include a cover page with the following information:
• Play title
• Playwright's name
• Contact email
• Short synopsis (2-3 sentences)
• Character breakdown

Please make sure that your name is not on any part of the play except the Cover Page as we submit our shows to a panel, blind.

Woodward/Newman Award 2026-27

Website

Deadline: August 31, 2025

Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.

We are currently accepting submissions for the 2026-27 Woodward/Newman Award. The award recipient will be announced by May 15, 2026. The winner will be awarded $3,000 and a full production.“Full-length” plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). 

TYA shows should have a complete running time of over 40 minutes.

Plays submitted must be unpublished at the time of submission (independently published is acceptable).

You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. 
  • Musical submissions may upload demos as an attachment or include a link to a shared folder.
  • Limit of 2 play submissions per year.
  • $3,000 cash prize is in lieu of royalties for the full production. Housing & transportation will also be provided.
  • Any unpublished play submitted to Constellation regardless of method (e.g. online form, agent submission, direct contact) may be considered for the Woodward/Newman Award.
Please note that we are moving away from a “finalists” model in lieu of keeping all plays under consideration for extended periods (2yrs). We will only announce a winner.

If you have any questions, please email literary@seeconstellation.org.

Monday, May 12, 2025

Gallery Players 29th Annual Black Box New Play Festival

Website

Deadline: July 1, 2025
NOTE the post-marked date. Mail your submissions accordingly. 

The Gallery Players in Park Slope, Brooklyn, New York, is seeking plays for its 29th Annual Black Box New Play Festival to be held in January (exact dates to be determined) 2026. 

Each play selected will be given a black box production with non-equity actors. 

Playwrights must be available, if not in person, via Zoom or other virtual venue for some rehearsals and use this as an opportunity to continue work on their play. 

1). Plays must be un-produced (readings are ok); must be the play’s world premier 

2) Length of Plays: Plays should be 30 - 60 minutes. Plays must have at least 4 characters; more is even better. No monologues. No period costume pieces. You may only submit two (2) plays. 

3). Format: Pages must be numbered; A cover page with Title of the play and playwrights contact information is required, along with a page that gives plot synopsis of the play and a character breakdown 

4). Submit a copy of your playwriting resume, showing the names of plays and if produced, where produced. 

5). Playwrights cannot direct their own work 

6). Send three (3) copies of your play(s), along with your resume, to: The Gallery Players Black Box New Play Festival 199 14th Street Brooklyn, NY 11215. 

We will only contact you if your play has been accepted into the Festival. If you want confirmation that your mailing was received by us, please include a self-addressed stamped return postcard. We do not accept email submissions. We do not return scripts. Any scripts not chosen for the Festival will be destroyed to protect the copyright.

The Braid Salon Theatre seeks short plays

Website

Deadline: July 1, 2025

Santa Monica, California

Click Here to Submit

Two Faiths, One Love: Interfaith families reveal the humorous challenges and unlikely situations that lead to often surprising outcomes in a blended home.

What happens inside homes located at the crossroads of religions? How does it work or not? Is yours a mix of religions or even just different approaches to Judaism? Share with us your true stories that resulted in everyone laughing together or pushing the family to its breaking point.

How long can the story be that I’m submitting?
No more than 1500 words.
Please do not submit a full length play.
All one-acts must be 5 pages or less with no more than two characters. 

Do I have to be Jewish to submit?
No, you need not be Jewish to submit, but we prefer the work to have some Jewish content or Jewish resonance. All are welcome to submit.

Can I submit more than one piece?
Yes. However, each piece needs to be submitted separately.

What if my piece doesn’t fit the theme?
Please do not submit your work unless it fits the theme.

If my work is accepted, is there remunerations?
Yes, all works selected are given an honorarium. Written pieces that are selected for Salon Theatre will be given an honorarium based on the number of times the work is performed in the show for which it was selected. Writers also receive royalties if works are reprised. With StoryNosh, you will win a $100 prize for being selected.

My story has previously been published/produced. Can I still submit?
Previously produced or published work is welcome. Please include production and/or publication history.

Can I submit my musical?
We encourage composers, song-writers, and performers to submit one song from a musical, or one scene with a song with no more than two characters. Full length musicals will be rejected without reading.

Is there an age limit to submit?
Submissions are open to writers of all ages.

Does The Braid assume rights to my piece?
No. You give us permission to distribute your story digitally and/or perform it live. However, you retain all the rights to your story.

When I will be notified if my piece is selected?
We read every piece submitted at least twice, a process that takes time. If we plan to use your work in an upcoming Salon show or StoryNosh, we will contact you by email within two weeks of the performance date or Youtube release date. Please check our website for posting of those dates. If we cannot use your piece this season, we will keep it in our files for possible future use, when it may be better suited to another theme.

What happens if my story is selected?
All selected pieces will be edited and adapted by our skilled dramaturges to fit The Braid’s theatrical style. All edits will receive your approval before production begins.

Your work will then be performed by professional actors and produced by The Braid’s production staff.

You will receive an honorarium for your written piece included in our Salon Theatre based on the number of times it is performed in the show for which it was selected. You will also receive royalties whenever the piece is reprised. 

Why would I submit to StoryNosh instead of a Salon Theatre show?

You can submit to both as long as you do not exceed the word limits for each and your story relates to the theme. StoryNosh just allows us to explore additional themes in a digital format that are different from our Salon Theatre series.

Can I perform my own story?

No. Writers do not perform their own work. However, in rare cases, we will allow a writer/performer to perform their own story. Writer/performers will need to send a performance reel along with their submitted story.

Sunday, May 11, 2025

Lost Lake Folk Opera is open for short play submissions

Website

Deadline: August 1, 2025 at 11:59 PM

SUBMIT VIA SUBMITTABLE

We are accepting submissions of short stories, short plays, poetry and opinion essays for the Fall 2025 issue of Lost Lake Folk Opera from April 1-August 1, 2025. 

Lost Lake Folk Opera is proud to announce that Submissions are Open for its fifteenth issue, Volume 10, with the special theme, United We Write. LLFO v10 will feature a guest editorial team led by Joshua Davies serving as Managing editor. 

LLFO will feature poetry, fiction, short plays and essays responding to the socio-economic and political realities in the United States, writing that identifies political crises, societal grief, economic shocks, social injustice. We are not looking for political writing per se, but rather literary art that address the struggle we individuals face collectively to maintain a grip on reality and a firm foothold safe from the sinkholes, ruptures, and buried ordnance littering the landscape of our lives. 

Suffering is endemic to human existence. It is shaped by the times, by race and culture, by politics, war, economics—and by each person’s experience. The ancient Hebrew concept of Tikkun Olam captures this reality: that this world is made by brokenness, by disconnections. Or the Japanese art of kintsugi, where broken pottery is soldered back together with gold – not to disguise the breakage, but to illuminate it. To witness the sacredness each being carries, to honor the interconnection in life, and art, and one’s conduct is to aid in mending of the world. With this in mind, please submit up to five poems or maximum 2500 words of fiction, essay or short play. Rough maximum of ten pages. Submissions deadline is August 1, 2025.

Line by line, word by word, at Lost Lake Folk Opera, we aim to stitch each broken seam together. Voice by voice and ear by ear, we seek to honor all that’s most precious in each other. In our own small way to work towards repair and healing, in community: United, We Write.

BabelFest: A Festival of New American Plays seeks full-length plays

Website

Deadline: May 16, 2025

SUBMISSION FORM

BabelFest: A Festival of New American Plays at Redhouse House Arts Center, Syracuse, NY Submission Guidelines

Redhouse Arts Center is seeking groundbreaking new plays and musicals that feature new voices and new perspectives. The festival will be curated by respected arts leaders in the Central New York area and around the country. One new play and one new musical will be selected for two public staged readings at Redhouse Arts Center in Syracuse. Submissions are free.

Winners Announced: July 7, 2025

Festival Dates: September 25 - September 28, 2025
  • Scripts must be submitted in PDF format.
  • Scripts must be completed drafts. No incomplete drafts or treatments
  • Scripts must be unproduced and unpublished. Readings and/or workshops are acceptable.
  • Playwright (and collaborators if applicable) are the sole owners of script copyright.
On the cover of your script, please include;

NAME OF PLAY

PLAYWRIGHT’S NAME

CONTACT INFORMATION [Address, Phone Number, Email Address]

Script Summary

CHARACTER BREAKDOWN

SETTING

TIME PERIOD

Supporting Materials

COVER LETTER

BIO OF PLAYWRIGHT and COLLABORATORS

MUSIC FILES [for musical submissions only]

Playwright Eligibility

Playwright must be 18 years of age or older by the scheduled dates of the festival. Playwright must be a citizen of the United States. Playwright may submit more than one script.

Winning Playwrights

Redhouse will choose 2 new works; 1 musical and 1 play. Winners notified by email in mid June. Winners must be available to participate in the festival.

Winning playwrights will have access to Redhouse Arts Center facilities to continue to develop their work during business hours. Top level local actors and top level local directors will be chosen to rehearse in the evening for one week, culminating in two public staged readings of each chosen new work. Playwrights will have the opportunity to edit their work between readings.

Chosen playwrights will receive a $1,000 commission for their work.

Out of town playwrights will be given travel and accommodations at Redhouse’s expense.

A playwright and cast talkback will follow each staged reading

Redhouse will market and advertise each new work chosen

Semi finalists, and finalists will be announced in each category. Feedback available upon request.

Please visit theredhouse.org audition and submissions page for submission links

Email babelfest@theredhouse.org with questions

Saturday, May 10, 2025

CHAIN THEATRE SUMMER ONE-ACT FESTIVAL

Website

Deadline: May 21, 2025

APPLICATION FORM

1. Choose your show.

2. COMPLETELY fill out the application form.

3. REVIEW your completed application to make sure it is complete and correct.

4. EMAIL PLAY as per instructions received upon submitting application. Make sure that the PDFs of your script and cover letter are included in your submission email.

If there are technical issues, contact us at info@chaintheatre.org to discuss them.

5. Include the title of your show in the subject line of the email and on all relevant materials.

Should they become separated, this is how we will reunite them.

CHAIN THEATRE SUMMER ONE-ACT FESTIVAL
July 11th - Aug. 3rd

Plays are chosen for the Chain Summer One-Act Festival based on originality, inspiration, and innovation. The background or experience of the playwright is taken into consideration, but submissions will be judged on the quality of the play. All themes or genres are welcome. One-Act Play runtime must be no shorter than 10 minutes and no longer than 1 hour. Shows will be performed in person.

NON UNION shows will have the ability to LIVE STREAM for at least one performance.

Chain Theatre is curating the event, not producing it - each production is responsible for staffing their own director, design team and cast.

PLEASE INFORM US IN THE APPLICATION IF YOU PLAN ON APPLYING FOR EQUITY SHOWCASE. All Equity Showcase paperwork is the responsibility of the producer, not the Chain Theatre. It is crucial that we have this information in advance because it affects our scheduling of the productions for streaming. If you do not plan on applying for Equity Showcase you cannot use Equity Actors.

You will assign a contact person for the piece; that person will be considered your play’s producer should it be part of the Festival. That person will receive all information and is responsible for passing it onto the rest of your team.

Though we will be doing overall festival promotion, you are responsible for the marketing of your piece.

Your entire team must be from the Tri-State area (New York, New Jersey, or Connecticut). We will not be accepting playwrights from any other areas of the country.

APPLICATIONS

The deadline for submitting to the 2025 Chain Summer One-Act Festival will be May 21, 2025. There are no submission or participation fees for the Chain One-Act Festivals. Complete the following application and you will be directed to information on submitting your play.

After completing the application form you will need to email a PDF (no Word, Pages, or Final Draft files, please!) of the script, and a brief cover letter explaining your goals for the play.

Applications ask for a contact name, address, phone, and email. Show contacts will be the one contact point between Chain Theatre and your production. The email given will be the sole email address that Chain Theatre will use to contact you regarding acceptance, any issues regarding participation, and festival communications.

We will need an estimated running time of your piece that will be factored into the programming. As such, we will enforce this time limit. If during your dress rehearsal or performance the play runs significantly over, we may insist that you revise or forfeit your participation in the festival and any ticket split revenue.

Applications that are not complete will not be accepted. No materials will be returned.

ONLY ONE SUBMISSION WILL BE CONSIDERED FOR EACH PLAYWRIGHT.

If any false information is given in the application the Chain Theatre will not accept any future submissions from the applicant. Your address, email, name must be accurate.


ACCEPTANCE

Notification of acceptance status will be sent by email on or about May 28, 2025.

If you are accepted into the festival, your email will inform you of the location of the organizational meeting to be held on June 2, 2025 at 6:30pm. IT IS REQUIRED AND MANDATORY THAT SOMEONE REPRESENTING YOUR SHOW BE AT THE ORGANIZATIONAL MEETING. This meeting is where you will receive your performance schedule and meet your fellow participants.

Each accepted ONE ACT show will be given 5 free hours of rehearsal space at one of the Chain Theatre rehearsal rooms. Availability and scheduling of these hours is at the Chain Theatre’s discretion. They must be used to rehearse the show in the festival and cannot be gifted, sold or used for other purposes. Additional rehearsal hours/locations are the production’s responsibility. If you choose to rehearse at one of the Chain Rehearsal studios you can book subsidized rehearsal space for this production for $10 an hour.

Each accepted show will receive a code for ticket tracking. Each show will receive 20% of the net box office for every ticket purchased using their code. (Code use for online sales is mandatory to receive this box office split. No exceptions.)


SCHEDULING

Each One-Act show will be guaranteed at least three performances. The precise number of shows is TBD, based on number of submissions and running lengths. However, depending on the schedule there may be more. Performance blocks will be at 6:30pm and 8:30pm during the week and will run throughout the weekend between 12-10pm.

There will be limited time between shows for changeovers. Keep in mind that when you are striking or setting up your show, another show is also likely striking or setting up. Minimalism rules. PLEASE FACTOR THIS TIME INTO YOUR TECHNICAL PLANS. Houses will be opened 5 minutes before the start time and will start promptly.

BOX OFFICE and TICKETING

Chain Theatre handles all aspects of ticketing and box office. Tickets will be $23 in advance online and $26 at the door.

TECHNICAL

You will need to keep the technical requirements of your show very simple. There will be no projection in shows. The Chain is equipped with a full light board and sound system, however the board will be shared by several shows and we will maintain a standard rep lighting plot. Keep light and sound cues as simple as possible. No show will be able to refocus lights. Each company will have only one cue-to-cue technical rehearsal in the venue which will be run by a Chain Theatre hired PSM. The Chain Theatre PSM will be running lights and sound for all shows at no cost to participants. Storage space/dressing room space is also limited and will be shared by all shows. You will be given a small, unlocked area to store your props, set pieces, and costumes, which must be completely cleared at the conclusion of your performances.


Any additional equipment your show requires should be listed on your application and will be need to be approved by Chain Theatre. Chain Theatre has the right to disqualify any shows that bring in unapproved technical elements. If approved, this equipment will be provided for your show by you. Chain Theatre assumes no liability for this equipment; it is your responsibility.

PUBLICITY

Chain Theatre will publicize the festival and coordinate overall press relations, including interviews and critic attendance. You may be asked to submit publicity photos and PR materials. You are also responsible for publicizing your own show through your own press releases, mailers, handbills, busking and/or posters. Should a critic accept your invitation to see a performance, this information must be forwarded to Chain Theatre so we may coordinate this. Chain Theatre will provide a blanket press kit to help all shows promote.

EXCLUSIVITY

If you are accepted to the Chain Summer One-Act Festival, part of our agreement prohibits the performance of your show anywhere in New York, New Jersey or Connecticut any time from acceptance into the festival through September 2026. Please keep this restriction in mind when accepting other invitations to perform your show during these months, particularly before you have received acceptance status notification from Chain Theatre. Chain Theatre is making an investment in you and your production. We are not previewing your show to take to other festivals and want our mutual efforts of promotion to bring an audience to this production.

If you can no longer participate in the Chain Winter One-Act Festival, you must notify us before May 21, 2025. If the production drops out after you are accepted, you will be disqualified from participating in future Chain Festivals.

If you still have questions, we are available to help you in advance of the deadline at info@chaintheatre.org. You may want to print and keep or bookmark these instructions and your original application for your reference.

Portland CEMA Theatre Group 2025 Dramatic Short Cuts

Website
Facebook page

Deadline: August 25, 2025
Victoria Australia

Please send your entries to Corey by 25 August:
Corey – coozy10@hotmail.com

Portland CEMA Theatre Group are starting preparations for the 2025 Dramatic Short Cuts, our annual season of short plays, which is scheduled for November. The first step is to collect some plays to assess.
We would like to invite any playwrights and/or creative writers to please submit scripts.

There are some guidelines for any plays you submit:
- Scripts must be no shorter than 8 minutes long
- Scripts must be no longer than 15 minutes long

NOTE - To accurately assess running time, it’s a good idea to read through your play aloud, also allowing time for any action that takes place, as if you were acting it out.

- One act plays only. There are to be no set changes within the middle of the performance, except where these are quite minor or subtle, eg. lighting of action occurring in different parts of the stage, or any relocation of very minimal props

- Only ONE script per writer will be accepted.

- Please ensure you provide a thorough synopsis of your play along with your script submission as the coordinators will use this information to present your play to Theatre Group members for reading and assessment.

- Please send us your script in Word format.

We choose the plays for our season using a ‘blind read,’ which means that we don’t allow voting members to know who wrote the submitted scripts. This is why we ask for a Word version, so we can easily remove your name from the script for the reading.

If you submit a play, you do so with the understanding that if your play is selected, then it will be directed by someone other than you.

We thoroughly enjoy reading all submitted plays and feel most grateful to all who put their scripts forward. Typically, about seven plays are chosen for performance and it is not uncommon to receive twenty or more submissions. Please do not be disheartened if your play is not amoungst those chosen for performance.

Friday, May 9, 2025

Fall 2025 Spark Theatre Festival NYC

Website

Deadline: June 2, 2025


Submissions for the Fall 2025 Spark Theatre Festival are now open through June 2, 2025. 

The Fall festival will take place Sept. 8 – 28, 2025. 

Please read our submission guidelines below.

The Emerging Artists Theatre (EAT) Spark Theatre Festival NYC is a three-week festival of self-produced work for the stage that allows artists of different disciplines to produce one performance of a polished “work-in-progress” with audience feedback.

Beginning in Fall 2025, EAT is excited to announce that the upcoming festival will now be broken into two categories: workshop productions and fully developed new work. Additionally, some productions may be given more than one performance slot.

Many pieces selected for the festival will have never been performed before an audience, while some selections have been performed previously but feature new material. We are not interested in presenting established pieces of theatre. We want to see something brand-spanking-new hit the stage for the first or nearly the first time. This festival is an opportunity to present work for a paying audience for the first, or newly the first, time.

There is no submission charge and no obligation to participate if chosen. Plus, participants receive 50% of the box office. Artists are held to an audience guarantee equal to one ticket buyer per minute of your show. Successful Fringe, NYMF, and Off-Broadway shows have been born out of this series, and Emerging Artists is excited to present a new round of opportunities to local artists for yet another year.

We accept submissions for the following new works:
  • Solo Shows
  • Dance
  • Cabaret
  • Musicals (Short and Long)
  • Short Plays (60 min or less)
  • Subway Musicians
  • Storytelling Show
  • Sketch Comedy
  • Interactive
  • Other … Out of the Box
HOW TO APPLY

PART ONE: Read the FAQs carefully. 

Note: the FAQ page may not work if you use Safari as your browser - you will have to switch to another browser like Google Chrome.

Please pay special attention to the audience guarantee section to ensure you are ready to gather an audience for your work. 

PART TWO: Fill out the application form. You will be asked to provide information on the following:
  • How you heard about Emerging Artists Theatre’s Spark Theatre Festival NYC
  • Why your show would be a good fit
  • Show title, running time, and production history (if applicable)
  • Description of your production
  • Support materials including a script, video, or other means of sharing 
  • Contact information, website, social media handles, and professional bio(s)

Hit SUBMIT to submit your application'

GETTING ACCEPTED

If you are accepted into the Spark Theatre Festival NYC, there will be a required information session/meet-and-greet on a date to be determined. 

APPLY

Submissions for the Sept 8-28, 2025 Spark Theatre Festival NYC are now open. Click below to continue to the FAQs and access the application.

Midsummer Short Play Festival seeks short plays and monologues for self-production festival

 Website

Deadline: May 23, 2025

APPLICATION FORM

We are seeking new and original plays and musicals (not to exceed 20 minutes) and monologues (not to exceed 5 minutes). This opportunity is nonunion only. Please read all of our policies below before applying

WHAT: A festival of short original plays (up to 20 minutes) and monologues (up to 5 minutes). Musicals are welcome.

WHERE: Performances will be at the Episcopal Actors' Guild Hall at 1 East 29th Street, NYC.

WHEN: Performances will be Sundays, July 20, July 27, Aug 3, and Aug 10 at 1pm and 4pm. An encore performance (comprised of the audience favorites from each grouping) will be held on Sunday, September 7.

APPLICATION TIMELINE: 

May 23: Applications due.

June 15: Applicants will be notified of their application status.

June 22: Confirmation of participation for accepted applicants due.

COST: Free to submit! One submission per playwright please.

WHERE DOES THE MONEY GO?: All ticket sales go towards supporting EAG's charitable work. Learn more about EAG here.

HOW WILL THIS WORK?: We provide performance space, but you are responsible for assembling your team and preparing the performance.

TECH?: None! Pieces should be bare-bones with no lighting or sound cues (beyond lights up, lights down).

EQUITY?: This is NOT an Equity showcase, and no performers should be a member of Equity.

If selected, EAG PROVIDES:

2 performance slots (one at 1pm, one at 4pm) in our midtown Manhattan theatre space (details here)

Use of a Steinway model M baby grand piano

Simple light plot with lights up/down capability

1 free yearlong membership in EAG 

WE CANNOT PROVIDE:

Free rehearsal time

Script printing

Amplification or recorded sound

AEA contracts

QUESTIONS?: Please contact Johnny Culver - johnnyculver@pineyforkpress.com

Please do not email or call the EAG office. Thank you!

Thursday, May 8, 2025

Leni's Last Lament by Gil Kofman at the Paradise Factory Theater - opens May 29


Leni’s Last Lament

Written by Gil Kofman
Starring Jodie Markell
Directed by Richard Caliban

May 29 – June 14, 2025
Paradise Factory Theater
64 East 4th Street, NYC

For tickets and more information, visit https://www.paradisefactory.org/lenislastlament

Fresh from its critically acclaimed run at the Edinburgh Fringe, Leni’s Last Lament arrives at Paradise Factory Theater for a limited engagement this spring. This darkly satirical solo play, penned by Gil Kofman, offers a provocative, but also humorous, exploration of history, ambition, and the human capacity for self-deception.

★★★★ 

“The brilliance — and also the tragedy — of Leni’s Last Lament is that Leni herself makes us the victim of the same fascist trap that originally ensnared her.”


— EdFringe Review


In a surreal, cabaret-style setting, Obie Award-winning actress Jodie Markell embodies Leni Riefenstahl, the infamous filmmaker whose work for the Nazi regime left an indelible mark on cinematic history. 


Set in an ethereal editing room, Riefenstahl attempts to re-edit her controversial past, striving to present herself as a misunderstood artist rather than a propagandist. Directed by Richard Caliban, lauded as a “legendary downtown theater-maker” by the Village Voice, the production weaves together elements of theater, music, and multimedia. Live accordion and violin performances by Spiff Wiegand enhance the immersive experience, while innovative projection and lighting design by Joey Moro, along with puppet design by Lake Simmons, contribute to the play’s haunting atmosphere.

★★★★ 

“Soars with a timely relevance! A stellar performance by Jodie Markell. Fresh and atmospheric staging from director Richard Caliban”
— Culture Fix

Leni’s Last Lament delves into the complexities of artistic responsibility and extenuating moral ambiguity. As Riefenstahl reconstructs her narrative, the audience is compelled, as well as seduced, to confront uncomfortable questions about complicity, denial, and the rewriting of history. Kofman’s script challenges viewers to consider the extent to which individuals will go to absolve themselves and the consequences of allowing such narratives to persist unchallenged.

★★★★
 

“A Triumph! Kofman’s script, Markell’s charisma and Caliban’s atmospheric and inventive production add up to a smart, funny, and chilling experience.”

— Jon Sobel/Blog Critics


The play’s relevance resonates in today’s sociopolitical climate, where the manipulation of truth and the glorification of controversial figures remain pressing issues. By examining Riefenstahl’s justifications and the seductive power of her artistry, Leni’s Last Lament serves as a cautionary tale about the dangers of unchecked ambition and the ethical compromises made in pursuit of greatness.

★★★★ 

“The show is at once bawdy and intellectual. Packed with song and cabaret elements.”
— Beyond the Curtain

Performances run from May 29 through June 14 at Paradise Factory Theater, located at 64 East 4th Street, New York, NY 10003. 

General seating tickets are priced at $27, with a runtime of approximately 80 minutes and no intermission.

Special post-show discussions will be held on select dates:
  • June 1: Featuring Liesl Schillinger, professor and writer for publications including The New York Times, The New Yorker, and The Washington Post.
  • June 12: Featuring Lawrence Weschler, veteran New Yorker staff writer and director emeritus of the NY Institute for the Humanities.
  • June 14: Closing night party.
For tickets and more information, visit https://www.paradisefactory.org/lenislastlament


You can advertise your show on NYCPlaywrights - more details here.

Scenes from the Staten Island Ferry 2025

Website

Deadline: September 15, 2025

Sundog Theatre in NYC is seeking one-act plays for “Scenes from the Staten Island Ferry 2025”

This is Sundog Theatre’s 24th presentation of
new and original, one-act plays about our favorite boats.
This year’s theme: It’s About Time!

Plays can be comedies or dramas. However, humor is always appreciated.

-Original plays not previously produced or published, with a signed note affirming that.

-10-25 minutes in length and set on the Staten Island Ferry.

-Set in a contemporary time period. Strong priority will be given to plays with 2 characters, however, 3-character plays will be considered. No special set pieces other than benches or railings found on the Ferry, as well as limited and easily accessible props/costumes, and no unusual sound or lighting effects.

-Avoid overt and unnecessary sexual/violence situations and language since we cater to a broad audience.

-No musicals, long monologues, poetry, rants or verse

–Theme: It’s About Time!

Some ideas for the theme are: time travel; lost time you can’t get back; something dreadful looms in your future and time is racing by; you’re looking forward to a special event and time slows to a crawl; or…?

Submission Guidelines:

Please send two hard copies, bound or stapled, blind submission (removable cover page with title, author and all contact information) with page numbers and the name of the play on each page to:

Sundog Theatre, “Scenes 2025” PO Box 10183, Staten Island, NY 10301.

-Submissions should include a brief play synopsis (2-3 sentences at most), a 70-word bio, and a full resume of the writer.

–DEADLINE: Must be postmarked from now through September 15, 2025.

-We are not accepting plays electronically. Reasons: hard copies are easier to pass around/make notes on; protects your work; can’t get lost in email chains; and…easier on reading eyes. We will let you know by email that we have received it.

-NO SUBMISSION FEE

-Questions: info@sundogtheatre.org/Susan Fenley, Producer.

6 plays are chosen by a reading team; writers each receive $200 and plays are produced in five November 2025 performances in Staten Island, NY. Plays are cast in NYC, rehearsed, and performed on stage.

Playwrights of selected plays will be contacted in September and their names/play titles listed on Sundog’s website in Fall 2025.

The Ten-Minute Musicals Project 2025

Website

Deadline: August 31, 2025

SEEKING: Complete original stage musicals which play between seven and twenty minutes. Works which have been previously produced are acceptable, as are excerpts from full-length shows, if they can stand up on their own.

MUSICAL STYLE AND THEATRICAL FORMAT: Any musical style: pop, rock, show, opera, C&W, etc; or theatrical format: comedy, mystery, drama, etc.

CAST SIZE: Maximum of ten performers—five women and five men.

SUBMISSIONS SHOULD INCLUDE THE FOLLOWING:

1. A printed script. (Note: printed on paper; not sent as a computer file on disk.) And please make sure your POSTAL ADDRESS appears on it.

2. A CD or DVD of either the entire piece or just the musical material. (Please don’t send a USB flash drive.)

3. A stamped self-addressed large envelope if you want the work returned.

4. More than one work can be submitted at a time, in the same envelope or separately.

CONCERNING THE ABOVE, PLEASE NOTE: NO ELECTRONIC SUBMISSIONS — HARD COPIES ONLY

DEADLINE: Simply postmarked by August 31st. (Do not waste money on overnight express, registered, or certified mail. All that’s requested is that the package be postmarked by August 31—but even if you’re just a day or two late, don’t worry. This is not an officious arts bureaucracy.) Responses will be mailed out by November 30th.

FINANCIAL REMUNERATION: $250/US royalty advance for each piece selected, with an equal share of licensing royalties when produced.

SEND TO:

The Ten-Minute Musicals Project
Michael Koppy, Producer
P.O. Box 461194
West Hollywood, CA 90046 USA

GENERAL CONSIDERATIONS“The more restrictions you have, the easier something is to write.” — Stephen Sondheim

“The enemy of art is the absence of limitations.” — Orson Welles

The single most important piece of advice we can offer is to caution that it will surely take much time and effort to create a quality work. (Occasionally a clearly talented and capable writer and/or composer seem to have almost dashed something off, under the misperception that inspiration can carry the day in this format. However, all the works selected in previous rounds clearly evince that considerable deliberation, craft, and time were invested.)

We’re seeking short contemporary musical theater material, in the style of what might be found on Broadway, off-Broadway or the West End. Think of shows like Candide or Little Shop of Horrors, pop operas like Sweeney Todd or Chess, or chamber musicals like Once on this Island or Falsettos. Even small accessible operas like The Telephone or Trouble in Tahiti are possible models. All have solid plots, and all rely on sung material to advance them.

Of primary importance is to start with a solid, complete story, even if it means postponing work on music and lyrics until that dramatic foundation is complete. This is one reason it is suggested (no; strongly, strongly recommended!) that musicals be based on a short story, play, film, poem or teleplay—either in the public domain (usually meaning it was originally published more than seventy-five years ago) or for which adaptation rights have been obtained. (While we’d love to have pieces based on works by Gabriel Garcia Marquez, Rod Serling, James Baldwin, Raymond Carver, William Faulkner, Chinua Achebe or Stephen King, getting the rights to adapt a work still in copyright can often be quite difficult. Stories or narrative poems by writers from previous eras, like Jack London, Katherine Mansfield, Anton Chekhov, Ambrose Bierce, Mary Shelley, Robert Service, Franz Kafka, Geoffrey Chaucer, Anna Laetitia Barbauld, Banjo Paterson, Aesop of Samos, Louisa May Alcott, Jonathan Swift, Giovanni Boccaccio and Guy de Maupassant—among so many, many others—are in the public domain and can be freely adapted.)

We prefer works using larger casts. If from six to the maximum of ten voices are used it’s a plus, even if most are secondary or ‘chorus’ roles.

Fast-paced comedy material has an advantage.

If adapting a story, you might consider setting it in another time or place, adding or subtracting (or combining) characters, or even changing the character genders. Yet be wary of doing so on whim, sans firm rationale.

It seems from experience here that fairy tales may easily end up being too cute, trite.

A narrator often slows things down. Trust audiences to get the story through what characters say, sing and do. And it’s better for a character to share his or her reactions to what is happening than to simply describe events—we can see them unfolding with our own eyes.

Be wary of writing only introspective musical ‘moments’, as they usually stop the progression of the plot. Solo ballads should be thought of as icing on the cake, as you’ll surely still need other sung material—much of it uptempo—which advances the plot in duets, trios, and production numbers.

Don’t worry if an idea seems ‘unstageable’. That’s what directors, designers, choreographers—and rehearsals—are for.

Finally, please understand that NONE OF THESE OBSERVATIONS ARE GOSPEL. They’re simply recommendations based on what’s been learned from seeing works submitted previously. Given that, please take them seriously. However, nearly every one of these recommendations has been ignored by at least one of the works so far selected.

In the end what matters most will be the idea and aim of your piece and how economically, effectively, elegantly they are realized.

Wednesday, May 7, 2025

The People’s Theatre Playwrights Unit 2025 is seeking playwrights

Website

Deadline: May 31, 2025
or when 100 submissions are received


Call for Submissions - The People’s Theatre Playwrights Unit 2025

The People’s Theatre is seeking playwrights whose voices, experiences, and perspectives emerge from communities that have been historically excluded from the American theatre. We are especially focused on uplifting the work of Black, Indigenous, and People of Color, immigrants, and LGBTQIA+ artists.

This Playwrights Unit is grounded in our mission to build a more equitable, representative, and inclusive theatre landscape. Applications will be evaluated with a strong emphasis on alignment with that mission.

Three playwrights will be chosen to develop new plays each under the mentorship of award-winning playwright Marco Antonio Rodriguez. The culminating plays will be showcased at The People’s Theatre New Horizons Play Reading Festival in December 2025.


YOU WILL RECEIVE:

Ongoing Support to Develop Your Play: Develop your work-in-progress into a 90 min play in workshops led by award-winning playwright Marco Antonio Rodriguez.

Actor Readings and Feedback: Have actors read your latest writing during workshops and receive supportive feedback.

Insight on the business of show business and resources to access: Gain show business insights and resources from well-recognized industry members to advance your career.

Director and Actors for Staging: Have your play directed and staged by professionals.

Showcase your work: Present your play at The People’s Theatre New Horizons Reading Festival.

Shared Dinner: Enjoy meals provided during each in-person workshop.

$1500 award for your participation.

The People's Theatre will receive

The right of first refusal to produce the selected plays within three years.

ELIGIBILITY:

The applicant must have completed at least 1 full-length play or at least 2 one-act plays.

Local NYC and its surrounding areas. If not living in the NYC metropolitan area, you must be willing to travel to NYC for in-person sessions.

Must be available to attend in-person workshops and Reading Festival.

SCHEDULE:

Developmental Workshops

Wed, Aug 6, 5:30-8pm (In-person)

Wed, Aug 20, 5:30-8pm (In-person)

Wed, Sep 3, 5:30-8pm (In-person)

Wed, Sep 17, 5:30-8pm (In-person)

Wed, Sep 24, 5:30-8pm (Zoom)

Wed, Oct 22, 5:30-8pm (In-person)

Wed, Nov 5, 5:30-8pm (In-person)

Wed, Nov 12, 5:30-8pm (In-person)

Location: The People's Theatre Office, 700 W 192nd St Suite 2, New York, NY 10040


New Horizons Reading Festival

Dec 1- Dec 7, 2025

Each play will have 1.5 day rehearsal that culminates in a public staged reading.

Venue: TBA

Reflection meeting

Wed, Jan 21, 2026, 5:30-7pm

SUBMISSION SCHEDULE

May 31, 2025: Submissions Close, or when 100 submissions are received

The week of June 16, 2025: Finalists invited to online interviews

The week of July 7, 2025: Participants Selected

For any questions regarding The People’s Theatre Playwrights Unit 2025, please email sinny@peoplestheatreproject.org.

The Barr Hill Players: Script Submissions for 2025 Fellowship Staged Reading

Website

Deadline: May 15, 2025
"priority may be given to early submissions"

Script submission form

As a part of our 10th annual season, the Barr Hill Players (BHP) will present a staged reading of new works by emerging playwrights. Selected scripts will be workshopped by our ensemble of acting fellows during the BHP summer intensive in Greensboro, VT, then presented for a developmental staged reading at La MaMa ETC Galleria in New York City on August 16, 2025.

At BHP, we believe actors can serve as generative collaborators in the development of new plays. This reading creates an opportunity for playwrights to gain an outside-in, actor-led perspective to inform further development of their dialogue-driven work.

Deadline: May 15, 2025 (Regular Deadline) / June 15 (Late Deadline)

*Priority may be given to earlier submissions

Length: Full-length (60-100min)

Cast size: 8-12

*Scripts that can be cast with exactly 12 actors are particularly desirable​

The scripts we’re looking for are:

Written for “balanced” ensembles (all roles have meaningful stage time)

Grounded in spoken dialogue (not primarily movement-based, not musical/sung)

Somewhat flexible in ensemble composition (gender, ethnicity, age, etc.)

Eligible under the Actors’ Equity Staged Reading Guidelines (have not been/will not be registered with Actors’ Equity for a Reading March-August 2025

You may submit up to 3 plays for consideration. If you submit the form more than 3 times, only the first 3 submissions will be considered. Please review the FAQs below before submitting.


FAQ

Q: Do you charge playwrights fees?

No, there are no submission or production fees associated with this opportunity.


Q: Will selected playwrights receive money from ticket sales?

No – the reading will follow Equity protocols for a staged reading, so tickets will not be sold, and the reading will be by invitation only. (The playwright will have the opportunity to invite guests.)


Q: If selected, what will I have to do?

Nothing! If selected, you will NOT be responsible for finding a cast, director, venue, date, or even attending the reading, though we encourage you to attend.


Q: Will playwrights attend the Barr Hill Players core intensive in Greensboro, VT?

No, selected playwrights will not attend our 2025 intensive. However, we hope to build lasting relationships with playwrights that may translate into residency and full production opportunities with the future – so if these opportunities excite you, please apply!

Q: The script submission for isn't working for me. What should I do?

You may email your submission with all the inputs required (on the online form) to info@barrhillplayers.org.

Tuesday, May 6, 2025

SkyPilot Theatre Company, seeks original one-act plays

Website

Deadline: May 15, 2025
(Fee waived for members of the Dramatist Guild with proof of membership)

SkyPilot Theatre Company, a non-profit ensemble company of actors, directors and designers producing provocative, compelling and challenging new works for the Los Angeles theatre-going audience, will once again present a selection of original one-act plays this Fall. Playwrights are invited to submit works based on the theme “Second Chances”.

Do you believe in redemption? Forgiveness? Does everyone deserve the chance to redeem themselves? If you could go back and do it differently, would you? Will you allow them to? Perhaps going forward you are given the opportunity. Comedic or dramatic. Life or death. The possibilities are endless and so will be the fun. Playwrights are asked to submit one-acts based on this theme.

Parameters are as follows:

Length – 20-30 minutes maximum
6-8 characters maximum
Submission Deadline – May 15th
Original, never produced material only, no adaptations
No musicals
No elaborate costumes or elaborate sets


Submission fee is $10 (Through PayPal or Venmo: SkyPilotSubmissions@gmail.com) (Fee waived for members of the Dramatist Guild with proof of membership)

Once again this year, there will be two awards given out to playwrights. The Audience Award and the Producers Award will include a cash prize of $50 each and will be voted on and awarded to two of the overall plays selected for the festival at the end of the run.

Please submit one play per playwright with “One Act Festival” in the subject line to SkyPilotSubmissions@gmail.com by May 15th. In your submission, please include a synopsis, how it fits the theme, and any performance history. For more information on SkyPilot and its upcoming productions, visit www.skypilottheatre.com.

The Soliloquist Journal seeks submissions of poems and soliloquies for Summer 2025 issue

Website

Deadline: July 5, 2025

Following the introspective depth of Unfinished Dialogues, our second issue invites soliloquies and poems that explore duality, reflection, and the fractured self—"Echoes in the Mirror."

We seek works that grapple with:
  • The masks we wear (public vs. private selves)
  • Confrontations with the past (ghosts, memories, alternate versions of
  • oneself)
  • Bodies and distortions (dysmorphia, aging, transformation)
  • Whispers of the subconscious (dreams, repressed desires, inner chaos)
  • Literal and metaphorical mirrors (as truth-tellers, liars, or portals)
Send up to 5 poems (no more than 40 lines each).
Include a brief bio in third person (50–100 words).

Submissions must be original and unpublished.

Email your work to thesoliloquistmag@gmail.com
with the subject line “ Summer 2025 Submission
– [Your Name].”

Publication Date: July 15, 2025
Notification Timeline: Within 1 week of submission.

Monday, May 5, 2025

2025-26 PlayGround-NY Writers Pool

Website

Deadline: May 31, 2025 at  11:59pm PT

SUBMISSION FORM

2025-26 Writers Pool Submission Guidelines

Applications for the 2025-26 PlayGround-NY Writers Pool are being accepted now through May 31, 2025.

– 25 early-career playwrights as well as 3 alternates will be competitively selected from applications to form the Writers Pool.

– Members of the Writers Pool may submit scripts to be considered as part of the Monday Night PlayGround-NY staged reading series. Four times each season, September through March (see tentative schedule below), PlayGround-NY will announce a prompt and Writers Pool members have just four-and-a-half days to generate an original short script (max. 10 pages) inspired by the prompt. The top six scripts each round will be staged publicly with leading local directors and actors. Those not selected may submit their scripts to Recess for cold readings via zoom (see below).

– From the plays staged throughout the season, up to six will be selected for Best of PlayGround-NY (produced in April 2026).

– Writers Pool members can gain peer feedback on their work by participating in Recess cold readings (one week after each Monday Night PlayGround-NY and generally via Zoom) as well as through a staff one-on-one session (available upon request). New this year, Writers Pool Alternates will have full access to Recess.

ELIGIBILITY REQUIREMENTS AND RESPONSIBILITIES

– Writers must reside within the five boroughs of New York City

– NEW THIS YEAR: Writers Pool members must commit to submitting for ALL FOUR Monday Night PlayGround-NY events in a given season (see below for schedule, subject to change). Writers failing to meet the eligibility requirements must sit out the remainder of the season and one additional full season. Alternates are asked to submit each round and may be admitted to the Pool should there be an opening during the season.

– The submission of a script to Monday Night PlayGround-NY grants PlayGround-NY the exclusive option to stage the play as part of the Monday Night PlayGround-NY and, should it be so selected, to present the world premiere as part of Best of PlayGround-NY and non-exclusive option to publish the script in a “Best of PlayGround” anthology.

– Current members of the Writers Pool must reapply in order to be considered for the following season.

WHAT TO SUBMIT

– Playwrights must submit a 10-page max, properly formatted script as PDF attachment. Both previously produced and unproduced scripts are eligible. See below for formatting examples.

– The script must have the playwright’s name, address, email and phone number at the top of the first page and include a detailed cast breakdown, and all pages must be numbered.

– The script title must be labeled by Lastname, Firstname_Title (e.g., Shakespeare, William_The Tempest).

– Excerpts from longer works are not accepted but short plays that meet the above requirements and are derived from a longer work are accepted.

– BIPOC, trans/gender-non-conforming & playwrights with disabilities are encouraged to apply.

– Applications must be received by 11:59pm PT on Saturday, May 31, 2025.

To view sample script formats, click the link(s) below.
Submission Format #1
Submission Format #2

WRITERS POOL ANNOUNCEMENT
– Applicants will be notified of selections on or before August 1, 2025.
– Selected writers must attend a mandatory company meeting on Sunday, August 24 (time to be announced).

2025-26 SCHEDULE (subject to change)
MNP1 Topic Announced: September 19, 2025
MNP1 Scripts Due: September 23, 2025
MNP2 Topic Announced: October 31, 2025
MNP2 Scripts Due: November 4, 2025
MNP3 Topic Announced: December 19, 2025
MNP3 Scripts Due: December 23, 2025
MNP4 Topic Announced: January 30, 2026
MNP 4 Scripts Due: February 3, 2026

For any questions not answered above, email to info@playground-ny.org

The Kleban Prize for Musical Theatre 2026

Website

Deadline: May 15, 2025 at 5pm EDT.

Edward Kleban, the lyricist of A Chorus Line and other extraordinary works, created the Kleban Prize in his Will, which is given annually to writers of extraordinary promise – to a librettist and a lyricist, respectively. Kleban designed the prize based on his personal experience as a promising writer. He was acutely aware that, though composers and musicians may often work within the theater, lyricists and librettists generally have to work outside the theater in order to support their writing. He wanted a prize of sufficient size to allow promising writers the time to simply write; his creation of the prize flowed from his desire to help other worthy artists like himself.

The prize is administered by New Dramatists on behalf of the The Kleban Foundation, Inc. Board of Directors. To ensure a robust and equitable adjudication, applications (including work samples) are submitted and reviewed blind by an independent panel of musical theatre artists and industry leaders. The Kleban Foundation Board sets the amount of the Prize annually. In recent years, a sum of $100,000 in each category has been paid in two annual installments to Prize recipients.

Eligibility

Kleban’s instructions, as interpreted by the Board, specify that applicants must meet either of the following criteria: 1) The applicant must previously have received a production of one of their works on a stage or in a workshop performance; or 2) The applicant must be or have been a member or an associate of a professional musical workshop or theater group, i.e., ASCAP, BMI Theater Workshop or the Dramatists Guild Fellows Program.Any individual whose work has been performed on the Broadway stage for a cumulative period of two years prior to the opening of the application window is not eligible. In the case of multiple Broadway productions, the sum of the lengths of the runs must not exceed two years.

If the material is co-written (written by more than one lyricist or more than one librettist) all writers must apply as a team. (This does not include the composer unless s/he has also contributed lyrics or text.) Each applicant must be eligible in their own right to apply.

Applicants may apply in both categories, but must submit a separate application for each category and may win in only one such category.

Applicants may only apply once per category per year.

Applicants may win in only one category.


Application Materials

Submissions are coded and reviewed blind. The name(s) of the writer(s) must NOT appear on any submission materials, including in the file names or file author information. Do NOT include hyperlinks in your files. Failure to meet this requirement may render the applicant ineligible. Only work from musical theater will be considered. Materials must be in English.

LYRICIST CATEGORY

Submissions must include lyrics for a minimum of five and a maximum of eight songs.
The lyrics may be from one or various shows.
Audio files/recordings of each song are strongly encouraged but are not necessary. Acceptable formats are mp3, ogg, and wav.

LIBRETTIST CATEGORY

Submissions may consist of a full-length musical book, or one act from two separate shows.
Lyrics should be included in the libretto even if they were written by someone other than the librettist.
Submission files must be in either word or PDF formats. Audio files are not accepted in the librettist category.

Application Step-by-Step

You will no longer be required to have an account on the New Dramatists website to complete a 2026 application.

It is in your best interest to prepare your materials (script document, resume document) for upload in advance, and to complete the application in one session. Your progress will be saved automatically if you continue in the same browser, but there is not an option to save.

1. Click the appropriate button below to begin your application. If you are applying in two categories, simply return to this page.

2. You will be asked to confirm you are eligible to apply. In the text field you must provide details substantiating your eligibility. Optionally, upload a resumé.

3. Fill in your full name, address, phone number and email address. If you have a co-lyricist or co-librettist, enter their information here.

4. For a Lyricist application, upload a text document for each song. You will also have the option to upload audio files for each song. For a Librettist application, upload your Musical text file. If you are submitting two acts from separate musicals they must be combined into one file. DO NOT INCLUDE YOUR NAME ON ANY OF THESE SUBMISSION MATERIALS.

5. Check the box that you have read and agree to our Privacy Policy, and click “Submit Your Application” to complete the process. You will receive a confirmation that your application has been received.


Sunday, May 4, 2025

Baltimore Center State Trans History Project commission

Website

Deadline: May 11, at 11:59PM EST 
SUBMISSION FORM

The Trans History Project is a revolutionary national initiative. Created by Bo Frazier, Baltimore Center Stage’s Artist-in-Residence, and led by Baltimore Center Stage and Breaking the Binary Theatre, this project aims to commission, develop, and publish 10 new plays about the real history of gender non-conformity which has existed across all cultures since the beginning of time. 

There will be 10 Trans and Gender Nonconforming playwrights (TGNC) commissioned by BCS who will subsequently be placed into 2-year development residencies at theaters across the country in 2 cohorts. Cohort 1 will begin Fall 2025 and Cohort 2 will begin Fall 2026. 

MISSION: 
  • Tell the history of Transgender and Gender Nonconforming people across all cultures who have existed since the beginning of time 
  • Commission and pay 10 TGNC playwrights/creators/writers
  • Create a cohort of theaters to develop and program TGNC stories in their seasons 
  • We hope to publish a TGNC canon/anthology of the 10 plays
  • Enable Regional Theaters to engage, uplift and empower their local TGNC Communities
SUMMARY:

In an effort to teach the world our TGNC history and build a “Trans Canon,” Baltimore Center Stage is partnering with other forward-thinking theatrical institutions across the country to commission, workshop (and hopefully publish and produce) 10 new plays by 10 TGNC writers of differing cultures, allowing them to tell stories of TGNC folks from history/folklore and how it relates to the aggressive legislative attacks seeking to “eradicate” our community from society. 

Cohort 1 will begin a 2-year residency at a major theatre in the 2025/26 season with Cohort 2 beginning the following 2026/27 season. Starting in 2026, the writers, dramaturgs and artists will come together for an Annual Summer Convening hosted by Baltimore Center Stage.


COHORT 1 RESIDENCY THEATER PARTNERS : 
  • Rattlestick Theater – New York City, NY 
  • Diversionary Theatre – San Diego, CA 
  • Round House Theatre – Bethesda, MD
  • Baltimore Center Stage – Baltimore, MD

APPLICATION INFORMATION:
Applications are due Sunday, May 11, at 11:59PM EST

Project Eligibility:
  • Must be an original story or adaptation about the history of transgender or gender non-conforming people/culture before our timeCan take place in modern times but must be about history i.e. Great Privation by Nia Akilah Robinson, or Arcadia by Tom Stoppard. 
  • Can be a play with music, choreo-poem, realism, magic realism, expressionism, docu-drama, but we are not accepting full musicals at this time
  • Can be from one writer, a devising team, or writing team, but please know that the commission fee is per project, not per artist. 
  • Can be a completely brand new idea or a script that has a full draft but cannot be a piece that has been previously produced
  • We are open to writers of all disciplines who want to write for theatre

Applications must include:
  • Project Pitch or Full Draft
  • Artist Statement Video or Essay
  • Resume/CV 
  • Long Writing Sample 
  • Statement of Connection to the Material
  • Statement of Style/Form and how it utilizes history
  • Contact Info & Headshot

For full transparency, here is some insight on process and selection:70% of stories chosen will be from the Global Majority/BIPOC experience

We are seeking diverse cultural representation and forms of storytelling within the cohort of 10 plays

Each theatre may have different preferences like cast size, or interest in only local playwrights etc. 

Each theater is not required to produce the play they develop, but has agreed to seriously consider it in their 2027/28 season selection 

Our Reading Committee will evaluate each submission and each writer will be chosen by BCS and BTB staffs in conjunction with each regional partner

Each Selected writer will receive: $10,000 Commission Fee
Dramaturgical/Research Support
A 2-year residency at a theatre that will include:1 Reading in the 2025/26 Season
1 Workshop in the 2026/27 Season
Travel/Housing to our Annual Summer Convening beginning Summer 2026
Regular Share-Out/Support Zoom Meetings with fellow cohort members throughout 2-year residency

Stories can be (but not limited to): a retelling of folklore from your culture, a factual/fictional story about real historic people, or a brand new story about an existing trans or gender nonconforming culture/identity below 
  • Two Spirit (Native American)
  • Hijra (India)
  • Sulawesi (Indonesia)
  • Kucek (Ottoman Empire)
  • Bakla (Filipino)
  • Muxes (Mexico)
  • Dagaba Tribe (Ghana)
  • Public Universal Friend (USA)
  • Amun (Egyptian)
  • Okule and agule (Congo & Uganda) Marsha P. Johnson, Sylvia Rivera, Stormé De Larverie (USA)
  • Amelio Robles Ávila (Mexico)
  • Dionysus (Greece)
  • Nommo intersex teachers (Mali, Africa)
  • Joan of Arc (France)
And there are endless more examples from history that we were never taught…

Looking for inspiration? Check out: Eli Erzel’s Coloring The Past
Our Glossary of Articles about TGNC Identities throughout History
Free Trans Library TransReads

Literature Today- an International Literary Journal seeks short plays

Website

Deadline: June 18, 2025

Send all submissions to : editorliteraturetoday@gmail.com

Literature Today- an International Literary Journal is inviting submissions for the JUNE 2025 issue of 'Literature Today'. 

Send not more than 2 one minute plays (2 pages for each play)

Simultaneous submissions are welcome.

Please send a cover letter and short Bio-data, (Maximum 50 words) in third person narrative, with your submission. Please attach a high resolution photo of yours too.

The theme of our JUNE 2025 issue is "Echoes of the Human Experience". You can send us poems, short stories, memoirs and one minute plays on any of the following sub themes :

Main Topic: "Echoes of the Human Experience"

This overarching theme explores the multifaceted nature of humanity—our emotions, struggles, triumphs, and connections. It invites poets and authors to reflect on what it means to be human in both personal and universal ways.

Subtopics

1. Whispers of Identity

Exploring self-discovery, cultural heritage, gender, race, and individuality.

Literary works about finding one's voice or grappling with societal expectations.

Examples: Coming-of-age stories, reflections on belonging, or celebrating uniqueness.

2. Threads of Connection

Focusing on relationships—romantic love, familial bonds, friendships, or even fleeting encounters.

Themes could include loss, reconciliation, longing, or joy found in human interaction.

Examples: A letter to a loved one, memories of childhood, or strangers who leave lasting impressions.

3. Shadows and Light

Delving into contrasts—hope vs. despair, resilience vs. vulnerability, light vs. darkness.

Literary works might address mental health, grief, healing, or moments of transformation.

Examples: Overcoming adversity, finding beauty in pain, or embracing imperfection.

4. Footprints on Earth

Examining humanity’s relationship with the natural world, climate change, and environmental consciousness.

Literary works could celebrate landscapes, mourn ecological loss, or call for action.

Examples: Odes to forests, rivers, or oceans; reflections on sustainability and stewardship.

5. Time’s Tapestry

Reflecting on time as a force that shapes lives—memories, aging, legacy, and the passage of seasons.

Themes might include nostalgia, generational wisdom, or existential musings.

Examples: Letters to your future self, meditations on mortality, or honoring ancestors.

6. Dreamscapes and Realities

Blurring the lines between imagination and reality, dreams and waking life.

Encouraging surrealism, magical realism, or explorations of inner worlds.

Examples: Vivid dream sequences, alternate realities, or abstract visions of hope.

7. Voices Unheard

Amplifying marginalized perspectives, untold stories, and silenced voices.

Highlighting social justice issues, historical narratives, or underrepresented communities.

Examples: Protest poetry, tributes to forgotten heroes, or reclaiming erased histories.

8. Sacred Spaces

Investigating spirituality, faith, rituals, and sacredness in everyday life.

This subtopic can encompass religious traditions, secular spirituality, or personal quests for meaning.

9. The Art of Living

Celebrating creativity, artistry, and the pursuit of passion.

Literary works might explore how people find purpose through their work, hobbies, or creative expression.

Examples: Homages to artists, writers, musicians, or reflections on the act of creation itself.

10. Fragments of Tomorrow

Imagining the future—utopias, dystopias, technological advancements, or evolving societies.

Encouraging speculative literary works that questions where humanity is headed.

Examples: Visions of space exploration, AI companionship, or warnings against hubris.

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